Showing posts with label open mic. Show all posts
Showing posts with label open mic. Show all posts

Tuesday, September 15, 2009

Emily Zuzik: Fun, Fearless, and Absolutely Fabulous

Often the most frightening and difficult decisions made in life are the ones that turn the tides. They challenge you, question your strength, and leave you feeling both empowered and completely helpless in one swift move. For Emily Zuzik, it was a summer internship in NYC making the tedious NJ Transit commute, a craving for the excitement and stimulation of the city, and the encouragement of a friend who told her, “You just have to go. It will all work out,” to make the biggest choice of her adult life. In that moment, Emily purchased a one-way ticket, grabbed her college graduation money, and said goodbye to her suburban Pennsylvania roots, bravely facing the city that would open doors of opportunity of which most spend their whole lives simply dreaming. “It never would have happened if I let fear control me,” confidently states Zuzik.


Raised in a Catholic home where singing in choirs and folk mass dominated her youth, Emily honed in on her musical abilities around age twelve, rediscovering the guitar and keyboard, writing and recording on cassette tapes, playing in bands throughout junior high, high school, and college, and consistently embracing music as a creative outlet. It was after her move to San Francisco in 1999, where she approached the open mic scene two to three times a week, feeling welcomed by the community there and finding a place in both cover and original bands, that the sultry singer-songwriter thought to herself “I could have a go at this.” From that point forward music was no longer just a hobby; it was a career she attacked with great confidence and force.


The open mic scene in San Francisco didn’t always crossover to gigs, and Emily found the music scene somewhat inundated with cover bands and specialty sounds- a free-spirited, hippie vibe complete with matching costuming and a theatrical undertone. “The quality of songwriting and playing strikes me as being higher in New York. People come here to make it,” Zuzik notes in comparing the level of professionalism between the two cities. “You find everything here. The top players in the world all come through New York.” While San Francisco tends to turn around new artists every two years or so, NYC offers more room for growth and expansion, allowing all different kinds of people to build a life. Three months after 9/11 struck, Emily and her then-boyfriend found themselves back to New York City, reasoning at the time that New York offered more opportunities than the already crash-ridden San Francisco. “It was a great time to be in New York because there was such a communal spirit,” Zuzik recalls. “Everyone was just trying to get through the madness.”


Since moving back Emily has been extensively involved with numerous aspects of the music and arts business. Originally attending college to be a broadcast journalist, Zuzik used to feel a great deal of pressure to produce an instant answer to the daunting question, “What do you want to be when you grow up?” Coming from a background where not knowing the answer to that question was just as bad as saying the wrong thing, Zuzik spent much of her adult life exploring a variety of career opportunities in addition to singing and performing. “I don’t know what I thought I was going to be. Part of my life is figuring it out day-to-day,” reveals Emily, citing that her secret to staying sane. Always a writer, keeping journals throughout high school and college in addition to her music and lyrics, Emily has also dabbled in the world of publishing, acting, modeling, print media, and journalism, inevitably coming back to her work creating and collaborating in different facets of music. “Even though I do work in other industries I’m doing something with music everyday, whether it’s prepping for a show, or working with music licensing, commercial singing, jingles, or background vocals.” Zuzik explains.


That same free-spirited, open-minded attitude transcends into Emily’s music and lyrics, which are layered with strength, depth, and often-brutal honesty. Usually writing from an independent, strong-willed mindset, Zuzik observes her shift in perspective as she’s grown and experienced life. Always seeking freedom and success, her style and attitude differs from many of the standard female singer-songwriters the public has grown accustomed to. “I don’t write a lot of love songs,” Emily declares matter-of-factly, ”Because usually if I’m in love I don’t have a lot of time to be writing songs.”


Lyrically, she examines the complicated parts of relationships, the relatable pieces many are often unwilling or ashamed to talk about, such as those where a strong connection cannot compensate for the pain of moving forward, making it easier to simply walk away. Zuzik finds these situations to be just as valid, harboring no fear in expressing her thoughts despite facing possible scrutiny. The song “Breaking It Down,” from her 2006 album “You Had Me at Goodbye” examines the idea of knowing and acknowledging you’re in an abusive relationship, calling out the other person, but are not yet willing to leave. “What about all these other scenarios?” Zuzik questions, adding, “They’re not pretty. They’re not the Hallmark cards.”


This exploration of vulnerability, a commanding stage presence, and a delicate fusion of beauty, intimidation, humor, and talent beguiles audiences, channeling the same musical dominance of early 90s fem-rockers like Aimee Mann, Liz Phair, and PJ Harvey. Admired by many in the NYC community, Zuzik is not only successful as a solo artist but also as a collaborator, frequently sent tracks and given carte blanche to write, bringing the pressure down in working with others, and opening the doors of opportunity to write from alternate perspectives and try on different personalities. The ease in which she transitions from one craft to the next is an inspiration to any artist, encouraging the impossible, stimulating the spirit, and reminding us all that life is simply about taking chances, living to the fullest, and not being afraid to take that giant leap of faith.


For more information on Emily, including links to music and tour dates, please visit www.emilyzuzik.com, MySpace, or Facebook.

Tuesday, July 28, 2009

Bess Rogers: The Songbird

As her sweetly bold and outwardly brazen melodies glaze over charmed audiences, enthusiastically clapping and moving to the cheerful beat, it’s hard to imagine that Bess Rogers grew up shy and timid, fearful to take the stage and dazzle people with her powerful talent. “I remember doing open mic nights as a 16-year-old and you could barely hear my voice,” Bess confides. “I didn’t think I could be a singer, but I really wanted to be… It turned out I just needed the confidence.”


Clearly that confidence was found, as this now seasoned performer has established a career envious to many NYC Artists, playing live venues throughout the city and touring with fellow artists and friends. Born into a melodic world by a mother who played harpsichord with a Baroque-Renaissance style group, Bess was raised with constant music around the house; learning the flute in fourth grade and eventually moving on to add guitar, piano, and ukulele to her instrument repertoire. Rogers is currently studying the trumpet, keeping her mind, music, and talent fresh with new sounds and influences.


Earning a Master’s Degree in Studio Composition from SUNY Purchase, the Long Island native first hit the New York scene while still in college, playing out once or twice a month, before finally falling into the Lower East Side circle upon moving permanently to the city four years ago. Rogers has come a long way from her first gig at The Lion’s Den (now known as Sullivan Hall), laughing as she recalls the experience as “a bunch of frat guys talking.” Bess adds, “And no one would come.”


Now Bess packs the crowds at LES institutions such as Rockwood Music Hall and The Living Room, finding the intimacy and attentiveness of these venues extremely nurturing for independent artists. “One of the great things [about NYC] is that there’s such a strong and supportive community for independent artists. I’ve met so many people who are doing the same thing and we all help each other in some sense. I’ve found that support system is really important… I couldn’t imagine doing this out in North Dakota on my own,” she confesses with a light laugh. Meeting fellow artists at shows facilitates that environment, particularly as the talent pool expands and fellow singer-songwriters sit in on each other’s sets. “That’s one of the things I love about Rockwood,” admits Rogers. “There’s something about the atmosphere there… I think every city has that one spot where the people are like-minded, open and friendly.”


In addition to circulating the LES, Bess engaged in several tours in the past few years, playing alongside Allie Moss, Ian Axel, and Ingrid Michaelson, including opening for the Dave Matthews Band with Michaelson. Next on the agenda is the upcoming Quest for Glory Tour, which kicks off this Friday, July 31 at The Living Room in NYC. The “theme” tour consists of three very different yet complimentary singer/songwriters- Rogers, Allison Weiss, and Leila Broussard, and will include daily video blogs and spirited stage acts to add a dash of spunk to the savvy musical flair.


The tour follows the release of Rogers’ latest EP “Travel Back” a brilliantly colorful expression of sound that leaves it’s listeners smiling, moving, and compelled to sing along to the irresistible and beautifully executed lyrics. Recorded at friend and colleague Dan Romer’s studio and released in April, the EP is seasoned with the perfect blend of organic, natural sound and creative experimentation, with a variety in tracks from “Yellow Bird” that sweetly lulls to “I Don’t Worry” that speeds up the heartbeat and gets the toes tapping excitedly. “I don't really make music with other people's reactions in mind,” Bess reveals about her songwriting process. “I make the music that's inside of me and that makes me feel, and if it makes other people feel something well that's great but I have no expectations for how it will emotionally affect other people. It's different for everybody.”


The once-reluctant singer has definitely traveled forward from the days of writing theme songs for her group of friends and forcing herself to perform open mics every night of high school to overcome a fear of performing. With a blossoming livelihood and an abundance of opportunities unfolding each day, Bess plans to keep touring and building her career from all angles, particularly the writing and recording aspect. “There’s something about creating in the studio or sitting in my room and writing that’s the most emotionally fulfilling thing that I do,” she confesses. “And I think if I can sustain this life- have a great music career and still continue to make creative, unique, music… that’s what it’s all about.”


A long career is certainly in store for this lovely, engaging songbird, whose melodies enliven and restore faith in the simple, real beauty of music for music’s sake.


To listen to Bess’ music and check out tour dates please visit http://bessrogers.com, http://myspace.com/bessrogers, or become a fan at www.facebook.com.

To check out the Quest For Glory tour please visit http://questforglorytour.com.