Showing posts with label The Living Room. Show all posts
Showing posts with label The Living Room. Show all posts

Monday, September 14, 2009

Happenings This Week!

NYC Artists Playing This Week!

Monday, September 14: EMILY ZUZIK at Rockwood Music Hall, 8:00pm, FREE SHOW! Emily is also this week's featured artist, check out her article this Tuesday! www.rockwoodmusichall.com

Tuesday, September 15: Canal Room Presents JAY NASH and TONY LUCCA with Special Guests MATT DUKE & CAITLIN CROSBY... 8:00PM, $10 advance/$12 door. www.canalroom.com

Wednesday, September 16: AMY REGAN at The Living Room, 9:00pm, FREE SHOW! www.livingroomny.com

Thursday, September 17: NYC Artist EMILY HOPE PRICE w/special guests at Rockwood Music Hall, 8:00pm, FREE SHOW!

Support your independent artist community in NYC!

Wednesday, August 26, 2009

NYC Artists Playing This Week!

Celebrate the last days of summer with music from your favorite NYC Artists!

Wednesday, August 26

CALEB HAWLEY- Rockwood Music Hall, 8:00pm www.rockwoodmusichall.com


Thursday, August 27

NICK HOWARD: Mercury Lounge, 8:00pm opening for Company of Thieves- www.mercuryloungenyc.com

ZACH HURD: The Living Room, 8:00pm "Changing Landscapes" Album Pre-Release also featuring NYC Artists Ryan Vaughn and Caleb Hawley- www.livingroomny.com

THE MIEKA CANON: Rockwood Music Hall, 10:00pm, Final Night of Rockwood Residency- www.rockwoodmusichall.com


Friday, August 28

CASEY SHEA: Highline Ballroom w/Jesse Lynn and Paula Valstein, 7:00pm- www.highlineballroom.com

BRENT SHUTTLEWORTH: Mercury Lounge, 8:00pm- www.mercuryloungenyc.com


COME OUT AND SUPPORT!

Tuesday, August 25, 2009

Zach Hurd: New Beginnings

For a city that bolsters such beauty, power, and culture, it’s not hard to understand why people are often intimidated by her presence. Talent is abundant, seeping out of the aged, familiar cracks on the streets, echoing softly in the branches of the massive trees that have seen generations grow up and move on, whispering in our ears as we stroll down the streets our beloved artists once walked on, feeling the same nerves and anxiety that exist today. For Zach Hurd, a tall, quiet singer-songwriter hailing from Maine, his chiseled features and calm exterior were a simple façade, masking the concerns and fears of moving to New York.


Hesitant to relocate to the city after years of playing out in Maine, Connecticut, and New Jersey in addition to touring the country with his former band “Causeway,” Zach worried he would fall into the path he’d seen so many musicians succumb to- get a day job, work endlessly to pay rent and make ends meet, and eventually forgo music because there just wasn’t enough time. Fortunately, Hurd has experienced quite the opposite; he found himself inspired by and able to identify with the positive vibe in NYC. “New York has this reputation of being so saturated with artists and musicians, and I guess it is in some ways,” Zach explains. “But when you’re here and you’re doing it- it doesn’t feel quite so unattainable… It gave me a new sense of determination and urgency to really be involved in what I’m passionate about.”


Growing up in a home where both parents were singers, one of Zach’s first memories was observing and hearing his mom sing. “I remember seeing it and thinking ‘Wow, that’s amazing,” Hurd recalls, grinning. “My mom has this really powerful voice and she just connects with people.” While Zach inherited the singing genes, he lacked in the stage presence department, opting to play and write songs on his electric guitar in the privacy of his room or as a part of a group. Bands like Nirvana, Jimmy Hendrix, Green Day, and Pearl Jam were influences in his early years, and after learning many of their songs and beginning to write his own, Hurd and a friend were ready to take on an open mic freshman year of high school. “I could have wet myself I was so nervous,” laughs Zach, recalling the memory.


Over time, the nervousness wore off, and Hurd continued to hone his skills throughout high school and college, eventually forming Causeway with Barbara Pecirep and booking college tours throughout the country. The duo moved to Middletown, NJ as an attempt to get closer to New York City, but after a year and a half Zach decided to break out on his own, picking up and moving to Williamsburg two years ago. The move was an attempt to start focusing on his own music and ambitions, and felt a bit nerve-wracking at first for the new kid in town. “When I moved here, it felt like I was starting all over again,” Hurd confesses.


The singer-songwriter began playing out everywhere he could, making connections, playing open mics such as Spike Hill and Heartland, and re-visiting the New York Songwriter’s Circle, an organization he was already familiar with during his time in Causeway. Feeling apprehensive about going solo and unsure how it would be received, Zach was pleased to find it opened some new doors for him, helping to meet new people, boost his wavering confidence, and obtain feedback and support on new work.


Now Hurd is preparing to release his latest album “Changing Landscapes,” recorded at Thump Studios in Greenpoint, and features Hurd, Richard Levengood (the owner of Thump) on drums, Nick Sullivan on bass, and Norman Vladimir, Lourdes Santiago, and his mom Laurie Hurd on back up vocals. After years of trial and error, Zach is extremely proud of the finished product, and looking forward to the upcoming record release show at The Living Room on August 27 at 8:00pm. “I took more risks,” Hurd reveals, “It’s experimental in places. I wanted to try new sounds, think more out of the box.”


Often lyrically inspired by the more challenging parts of life, such as relationships gone wrong and death, Zach also finds himself stimulated by creative people and fellow artists, observing life through a new, metaphorical pair of glasses. “People who are always creating inspire me to want to go back to my apartment and write,” claims Hurd, adding, “I’ve been moved a lot lately by painters and visual art. Living in the city there’s so much of it- its so visually stimulating. There’s so much to work with.”


As time passes and life continually evolves, Zach’s love and passion for music grows exceedingly evident. Determined to maintain a career based on longevity and a wonderfully loyal fan base, much like singer-songwriters James Taylor and Beck, Hurd greatly admires creativity and classic resonation, striving to produce the same qualities in his own work. “The music is really important to them,” Zach notes. “Yeah, they’ve had some hits that allowed them to continue their careers, but it’s easy to see it’s not about the hit song, it’s about doing what’s right for the music… Just doing what you love.”


An artist who has quietly crept into the NYC music scene with his inventive, captivating sound and a warm sincerity that instantly draws you in, Zach is bound to make giant strides in the wake of his latest album. Understanding the importance of overcoming hardships and insecurities and pushing yourself to get to the places you need to be, Hurd is the upcoming artist to watch- securing a place on the stage and a place in the hearts of enthusiastic audiences and familiar faces that make the “Big Apple” seem that much smaller.


For more information on Zach please visit www.myspace.com/zhurd or find Zach on Facebook at www.facebook.com/zachhurdmusic. Be sure to check out the Record Release of "Changing Landscapes at The Living Room this Thursday, 8:00pm and get your copy!

Wednesday, August 19, 2009

Amber Rubarth: A Cinderella Story

Once upon a time in a land far, far away there lived a little girl named Amber Rubarth whose love for music started with the piano at age 3. As she grew up, the inexperienced, shy, and insecure teenager found herself torn about what path she desired to take in life, and so, Amber said goodbye to her lovely home in California and set forth on a journey to discover what lay ahead. The 17-year-old found herself in Carson City, Nevada, originally planning to attend college but drawn to another unique and unusual livelihood.


On a simple bike ride one afternoon Amber came across a flyer for a wood sculpture apprenticeship. Thinking, “That sounds fun,” she researched the opportunity further and discovered an unexpected interest in the art. Three and half years later, Rubarth’s teacher noticed her enthusiasm dwindling and encouraged her to determine what inspired and sparked excitement within, and then to pursue it. “I knew it was music,” Amber says, reflecting on her early experimentation with songwriting and playing. “But I had never played guitar and I had never played out. It was such a personal thing.”


And here our fairytale begins. Rubarth packed up the wood sculpting career, and headed to Reno to explore her dormant passion. Hitting up local coffee shops to check out musicians passing through, it was after Joel Ackerson and Seth Horan, both singer-songwriters from New York, ventured into town on tour that Amber discovered her first big connection into the music world. Rubarth was invited to join them on tour, and took the opportunity to dive into and learn more about the singer-songwriter world that was so fresh and new to this budding artist.


A painfully shy adolescent, Amber wrote her first three songs as a freshman in high school, using songwriting as an outlet because she was hesitant to talk to people about her feelings. During her time in Reno, playing out and observing the talents that passed through the city, Rubarth started to come into her own, and was quickly discovered and recognized across town. “Even when I first started writing I was super shy. I remember my first open mic- my head was down and I thought it was really weird people were looking at me… I was quite awkward for awhile,” Amber recalls, laughing at the memory. “And then it just wore off. As long as I don’t think about myself it’s not awkward. If I’m focusing on the song, the music, or the people that came to the show it’s easier.”


Rubarth’s ambivalent background comes as a surprise to anyone who’s seen the sweet, genuine, down-to-earth lovely burst to life in performance. Her quirky, light style, girl-next-door quality and honest, uncontrived lyrics brighten the audience and bring a breath of fresh air to the stage. Since making the move to New York City two and half years ago, Amber has captured the hearts of industry reps, popular venues, and respected musicians all over, with so many doors opening it’s impressive she’s kept it all aligned and balanced. In just her first trip to NYC, Rubarth made a connection on craigslist.org by simply posting that she was in town and available for any acts looking for an opener. “Twenty minutes later I got an e-mail back. Someone had just cancelled an 8:00 slot at the Living Room on a Thursday night, and they asked if I wanted to open for them,” reveals Amber, her voice dripping with excitement over booking a Living Room gig first time out.


Now Rubarth’s resume reads like a chapter in the book “How to Become an Incredible Singer-Songwriter, Record Amazing Albums, Travel the World, and Still Manage to Be the Coolest Chick in NYC.” Utilizing the internet as her prominent source for networking, booking, and promoting, Amber has opened for artists such as Lisa Loeb and Brett Dennen- who simply discovered Rubarth’s music on MySpace and e-mailed her to join him on tour. Another opportunity that came about through a MySpace’s “Friends and Family” music connection, a program that highlights independent and unsigned artists on the popular networking site, is the upcoming Joshua Radin tour. When Radin’s managers were seeking opening acts they approached MySpace music, Amber’s name was recommended, and starting this September she will travel around the country with Radin and Gary Jules, sharing her beloved music with an ever-growing fan base.


In addition, Rubarth is in the process of releasing her newest full-length CD “Good Mystery,” the third album to hit the public since 2005. Recorded in upstate New York at an old church in Syracuse, Amber is extremely excited to bestow her latest work onto eager listeners. “The first [album] was ‘Hey, I have ten songs and I’m gonna put them all together!’” Rubarth smiles, continuing, “The second was really exciting at first and then everything sort of crumbled and collapsed around it. This one feels good because I co-produced it, I had a bunch of songs to choose from, and I knew what kind of sounds I wanted.”


Furthermore, the bright-eyed entrepreneur will be releasing another CD with Paper Raincoat, her band co-fronted with colleague and friend Alex Wong, and taking a brief trip to India to partake in TED Talks, where she’ll experience motivational and informative speeches by renowned innovators and creative minds.


All this will be happening after the “Good Mystery” Record Release party this Friday, August 21, at Joe’s Pub in New York City. Thrilled for the album to debut in the city she now calls home, Amber is looking forward to a long career ahead, much like those of Tom Waits and Josh Ritter, whose careers she respects, admires, and hopes to emulate one day due to their innovative, thoughtful song writing and eternal reinvention of themselves and their music.


From the timid teenager sculpting wood in the depths of Nevada to the proud-yet-humble young woman gracing stages throughout the US and Europe, Amber Rubarth has truly become the Cinderella of the singer-songwriter world. Living her life in the moment and not over thinking every step along the way, Amber exemplifies how dreams can come true; just believe in yourself and the desire to be aggressive in who you are and who you want to be. In an industry where struggle, frustration, and self-doubt is a part of daily existence, it’s refreshing to see an artist who leads with an open mind and an open heart, ready to rule the music community long after the clock strikes twelve.


For more information on Amber please visit www.amberrubarth.com, www.myspace.com/amberrubarth, or become a fan on Facebook at www.facebook.com/amberrubarthmusic.


AND be sure to check out the "Good Mystery" Record Release Party at Joe's Pub in NYC, this Friday, August 21 at 7:00pm! www.joespub.com


Thursday, July 30, 2009

NYC Artists around town THIS WEEKEND!

So many great shows featuring our insanely talented NYC Artists happening this weekend... Take a look!

TONIGHT, THURSDAY 7/30

DAN TORRES- Final Night of Dan's Rockwood Residency, 10pm at Rockwood Music Hall- www.rockwoodmusichall.com. Full Band w/Ryan Vaughn, Patrick Firth, Dan Tirer, and Brian Killeen!

FRIDAY, 7/31

BESS ROGERS- Quest for Glory Tour w/Allison Weiss and Leila Broussard... The Living Room, 9pm. www.livingroomny.com

MARTIN RIVAS- Late night at Rockwood! 1:00am show at Rockwood Music Hall... finish off your night with some great music!!


SATURDAY, 8/1

BRENT SHUTTLEWORTH- Rockwood Music Hall, 10pm, with special guests Ryan Vaughn, Wes Hutchinson, and Dan Torres. Don't miss it!


If you are in town be sure to come hang out!!

~Christina


Tuesday, July 7, 2009

Sami Akbari: Great Things Come in Small Packages

The overwhelming presence and massive power behind Sami Akbari’s voice makes it hard to believe the vocally gifted entertainer stands at a mere five feet tall. With lyrics that reach untapped sectors of your soul, a quality of sound that both soothes and inspires, and a natural comedic flare, it’s impossible not to adore this fiery up-and-coming singer-songwriter.


Exploring the arts from a young age, Sami Akbari dabbled with piano, violin, and guitar beginning at five years old, and has been singing for as long as her memory serves. With Bob Denver, Ritchie Havens, Bob Marley, and Neil Diamond playing on the stereo in Akbari’s childhood home, a father who wrote poetry, a mother who played guitar, and a realization at age six that she could belt out Annie’s “Tomorrow,” Sami’s destiny laid on solid ground early on, simply waiting for the right moment to bring it to life.


Despite a passion for music and singing, along with an “unhealthy” obsession with The Beatles laced throughout her adolescence, it was not until freshman year of college that Akbari made the commitment to nurture her brimming talent. While on the committee “Mainstage” at Roanoke College, Sami held the responsibility of handling hospitality and taking care of the musical acts performing at the school- and the first act happened to be John Mayer. “It was the first time I was behind the scenes at a concert and able to see how the whole day was put together,” Akbari reveals. “Seeing the show and how people were reacting to him made me see it through new eyes.” Feeling relatively depressed after the event concluded, Sami longed to relive the experience and excitement, and immediately started back into guitar lessons and songwriting.


After college Sami picked up and moved to New York City, ready to pursue the dream and uncovering obstacles each step of the way. Finding tremendous support within the community, Akbari notes the lack of jealousy and the abundance of happiness artists exhibit for one another. “You come to New York with this image that there are so many people and musicians and it’s going to be so hard, and it is. But it’s actually a small community and it’s amazing how many people you end up knowing,” she observes with a smile. “It’s weird, it makes the rest of the music world smaller too because all of a sudden you’re connected to these people in different ways that would not have existed outside of New York.”


Akbari credits the Brooklyn-based group Local Correspondents, an organization that promotes independent artists, with helping to overcome a lack of confidence and getting her feet wet in the scene. Upon arriving in the city a little over a year ago, Sami spent most Tuesday evenings at Bar 4 in Williamsburg, where she met fellow artists Jessi Robertson and Brian Speaker, two people instrumental in helping her land her first gig at Piano’s top floor. The connection with Local Correspondents has kept the ball rolling as the venue list continually grows, now including Akbari’s favorite place to play, The Living Room, a place she adores for it’s loyal and attentive audiences and diversity of acts.


Commanding attention on any stage is effortless for Sami Akbari, who professes her favorite part of performing is simply audience interaction. “I love entertaining people!” she sparkles with enthusiasm. A harmonious voice dripping with longing, love, and heartache is often balanced with quirky banter, an engaging laugh, and honest commentary, keeping her listener’s emotions well rounded.


Inspired most often by music, different instruments, such as the micro-chord, will stimulate Akbari’s creative senses. The singer-songwriter often struggles with the “songwriting” end of the spectrum, finding it easier to compose music first, and then see where it flows lyrically. “It’s really hard for me,” Sami reveals, echoing a feeling familiar to many artists in this scene. “I know a lot of people who can sit down and write four amazing songs and I hate them. Sometimes it takes me a year to write a really good song.”


Regardless of the development process, Akbari continues to produce music that’s beautifully honest, absolutely relatable, and perfectly enchanting, as heard on her 2007 debut “Somebody Else’s Stranger,” a four-track EP that resonates with young love, self-discovery, and finding strength through pain. Propelling forward with recording new tracks and dominating live performances, Sami is making her way through the scene, bright-eyed and quick-tongued, proving once and for all amazing things come in small packages.


For more information on Sami Akbari visit www.myspace.com/samiakbari or find Sami on Facebook www.facebook.com.


Sunday, May 24, 2009

Happening This Week!

After a brief hiatus NYC Artists Scene is back in full swing!  This is a busy week for some of our featured artists, if you are in the area definitely be sure to check out the following shows:

Tuesday, May 26- Canal Room Presents Artists You Should Know: Brent Shuttleworth with Miranda Lee Richards and Trey Lockerbie, 8:00pm. www.canalroom.com.

Friday, May 29- Caleb Hawley with Full Band at The Living Room, 9:00pm.  www.livingroomny.com

Next artist in the line-up is Dave Pittenger, who will be playing a show at the Bitter End this Thursday, May 28, 9:00pm.  www.bitterend.com.

All of these guys are FANTASTIC, don't miss these shows!




Monday, March 23, 2009

Dan Torres: Breaking the Silence

In this constantly evolving community one path inevitably leads to another, opening our eyes and ears to the talent that lies right in front of us.  A few weeks ago at The Living Room, the trail of scattered postcards strewn across tables at Madi Diaz's show guided me to the CD/DVD Release Party of yet another audibly stimulating artist, Dan Torres.

On Friday, March 13 at 9pm, an aura of respect hovered over the record release party at The Living Room, carefully slithering through the audience's anticipation of the next striking note.  Promoting "Dan Torres: Live," an acoustic mix of both previously recorded and brand new songs, Dan commanded the jam-packed crowd with a powerful voice and impressive guitar skills that rocked listeners into a silent trance, only to be awoken by the finale of egg shakers percussively highlighting an outstanding collaborative finale.  The exquisitely packaged CD/DVD offers a gorgeous arrangement of live music that takes its listeners through every emotion and back again; it's a collection that speaks of life, love, and the human condition that is raw, stripped and relatable. 

Stage presence and vocal control come so naturally to this performer, it's hard to believe Dan just started playing the NYC circuit in 2005.  With formal training in music and composition, his guitar skills were self-taught and vocals came much later in life.  Torres started writing a bit in high school, more in college, but preferred to seek out others to perform his songs.  "I was very reluctant, I hated it," Dan says about singing, "I was just figuring it out." Influenced musically by the big chords and interesting voicings of guitarists from Stone Temple Pilots, Tonic, and Nirvana, it was singers like Jimmy Gnecco, Bono, Matthew Bellamy, Freddie Mercury, and Jeff Buckley who guided his voice.  In singing along with albums like Buckley's "Grace," Torres learned more about his range and vocal capabilities, developing a style uniquely his own.

Digging through the layers of Torres' striking music, a journal of lyrics sits peacefully, composed on mostly real-life events, with a bit of fantasizing over how things could have happened.  When first starting the writing process Dan claimed, "I had no experience with writing, I had experience with living."  As life moved on, new lyrics became more imaginative, letting the listeners take away what they wanted from it.  "I tell a lot of secrets very publicly, and that's kind of a relief, " Torres admits.  "Everything is a metaphor for something else."  

Enticing for spectators, who are captured by the artistic and comfortable flow of the live acoustic album, Dan's writing offers something for everyone.  "I try to write music where musicians will respect it and the average listener will still enjoy it."  Mission accomplished, as evident by the blend of people who find pleasure, excitement, and a little piece of themselves in each of Torres' songs.

Dan Torres' musical journey began not too long ago, in New York City circa 2005.  Recording started immediately, his first album "Where I Stand" was released in Fall 2006 and a tour was booked by Summer 2007.  The country-wide tour ended in Portland, Oregon, where Torres ended up living for a year. In October 2007, Dan's manager set up a performance at CMJ in New York, followed by a 6-week tour in England with percussionist Ryan Vaughn, before finally returning to NYC last summer. 

While being on the road can be tough, this 25-year-old understands the importance of moving around, meeting new people, and treating this career path like the business it is.  Success has come naturally because of this attitude, with Torres filling listening rooms and clubs all over New York City in the past year.  Perhaps its because he truly gets the scene, from understanding the different neighborhoods, time slots, and venues to realizing starting at the bottom and working your way up, just like any other job.  Favorite places to play include Rockwood Music Hall and The Living Room, despite the fact these free venues pull in little income.  "For the artists who need to make money it sucks, but at the same time we meet so many more people," Torres explains, "It's more important for me to have a line out the door than to force people to buy my CD."

Dan acknowledges while NYC is vast in opportunities, it's also pertinent to an artist's progression to leave, go on tour, and meet "normal" people.  These "normal" people include music lovers, not just music players; the average downloader or listener who simply respect and like music.  "I would like to play for 1,000 strangers every night," Torres states as his personal goal.  "Beyond that it's not intimate anymore."  Specific venue types include concert halls where classical musicians play, where "you don't need a mic because they are so well built."  

To think this musician's career began in a small TriBeca bar that no longer exists called "The Orange Bear."  Over spring break in college, Dan placed a call to the owner asking if he could play an open mic on a random weekday night.  The owner agreed, leading to his first gig where the audience consisted of three friends, the bartender and the owner.  Instead of being disheartened, the young Torres saw this as a business opportunity, and started organizing gigs, advertising, and bringing in other bands.  Eventually more night gigs, including weekends, were added and crowds grew; a fantastic discovery into gaining fans and incorporating musicians.  Over time Dan began playing at larger, more established venues in the city, and now practically calls Rockwood home.  "Thanks [to that opportunity] I figured out how to promote bigger things," Torres states. "I want to be able to call a venue and say I want to play tomorrow."

One of the most impressive aspects of Dan's show for both the listeners and the artist is how breathtakingly quiet a room becomes.  Listing this as his favorite part of performing, Torres declares, "Silence.  When the audience is totally silent when I'm singing.  Because it's really hard for people to sit quietly and it must mean what I'm doing really means something to them."  A true observer of human nature, Dan doesn't always come with a set list prepared, opting to watch the audience to figure out what to play next; probably the reason why songs resonate so personally to each individual eagerly hanging on the next chord.

Above all, it's the natural, genuine nature of Dan Torres, a man who values the importance of being a good person, that will keep drawing audiences and filling those 1,000 person concert halls.  People often forget that artists are regular people, placing them on pedestals or idolizing them for the wrong reasons.  Dan makes it clear that is not his intent.  "I make it a point when I play to ask everyone to come say hello, and I mean it."

Check out Dan Torres at www.dantorresmusic.net or www.myspace.com/dantorres.  And the next time you are at a show, be sure to say hello. 





Wednesday, March 11, 2009

Madi Diaz: The Soul Behind the Voice

It's a Saturday night in New York City, and The Living Room is packed from the stage to the bar.  A medley of characters fill the room, all eager to hear the astounding voice of fresh-faced 22 year-old singer/songwriter, Madi Diaz, whose music can only be described as an orgasm for your ears.  From the fanciful opening song "It's Only a Kiss" to the heart-tugging encore "Pictures," Diaz commands her audience with every effortless note escaping that gifted mouth.

Growing up in Lancaster, PA, Madi's father (a musician as well) introduced her to piano at age five, and guitar at fourteen.  "I lived out in the middle of nowhere... I rode horses for ten years before I did anything else," Diaz says with a laugh, "Ponies were really great until I found the guitar, and then that was really great."  More formal training came during her high school years at Paul Green's School of Rock in Philadelphia, PA, before heading to Berklee College in Boston.  Diaz now resides in Nashville, TN, writing, recording, networking, touring, and following her dream.

Perched casually at the bar at World Cafe Live in Philadelphia, it's almost hard to believe the powerful voice, moving lyrics, and infectious spirit that radiates out of this humble young girl onstage.  Describing her indie/folk/pop blend as "flirty, cynical, and distracted," you can't help but wonder if that's how this insanely talented artist also views herself.

Diaz started writing around the age of 16, creating songs that reach out to audiences of all ages and lyrics that resonate maturity and real-life experience.  "When you start writing a song it takes a direction no matter what you try to do, and the more you try to force it, it doesn't get to it's full potential," Madi explains, "If the emotion is taking it one way you have to follow it."  It seems the road to create a song is similar to the road to create an artist.

Taking care of all the booking and hype promotions, finding a place to sleep, eating well, and learning the target audience in each new city they tour is just a sampling of responsibility for this young entrepreneur.  "It's not just getting there to play your set and pour your heart into," Diaz maintains.  There are club owners and audiences to thank, other bands to make connections with, CD's and promotional materials to sell, mailing lists to generate, and networking to be made across the board.  Challenging, but not discouraging for Madi, whose band mates provide a fantastic, built-in support system.

Madi Diaz is rarely seen performing without best friend Kyle Ryan by her side.  Diaz and Ryan have been playing and writing together since meeting at Berklee; their onstage connection screams of a solid friendship and mutual respect.  Touring with Adam Popick and Mitch Jones, the gifted foursome are a pleasure to watch.  Constant movement happens on stage, with each band member rotating instruments and vocals for every single track, validating that these are no ordinary musicians, but artists in every sense of the word.  Not phased by being the token female, Diaz says, "It's been so gratifying to just have people that know you and respect you... They are my peers, musicians, friends, colleagues, brothers and fathers... lot of roles all in one."  The admiration is reciprocal, obvious as they let Madi take center stage.

Another mentor and source of inspiration for Madi is manager Ty Stiklorius.  Diaz sings her praises: "She's like a big sister, best friend, mom, manager... she has an amazing career, a beautiful baby, and has struggled so hard to get where she is... she just wants to help other people, the light of the world, just wants to give... I hope that one day I'm in a position like hers so that I can help somebody like myself."  

This budding 20-something declares performing a John Denver duet with Tom Paxton at the Songwriters Hall of Fame to be a career highlight, and holds high esteem for Radiohead, respecting the way they've built their albums and their command of the industry.  "They've made really smart decisions- production-wise, career-wise- that I think everybody could take note from.  They've done it really well," she explains.

As for advice Diaz would pass on to other new artists getting their feet wet? "Do everything.  Never say no.  Say yes until you get so busy because people know you are always going to say yes.  That's when you can start picking and choosing."  Madi adds with a laugh, "Except drugs.  Say no to drugs but say yes to everything else."

Now promoting "Ten Gun Salute," the EP follow up to her debut "Skin and Bone," Diaz's growth and experimental style with music is intriguing to observe.  Recording "Skin and Bone" in Hawaii with a group of young musicians and producers new to the scene, Diaz exclaimed, "I barely had enough songs for a record!" Citing influences such as Patty Griffin and Ryan Adams, Madi was still learning "to influence and create what you need to do instead of imitating."

Collaborating with Kyle on "Ten Gun Salute," Madi's new EP (which was recorded in less than seven days) has taken a wonderful turn lyrically, vocally, and musically to incorporate a conglomeration of new concepts and sounds.  Instruments have been added, and that powerful voice grabs every emotion of the uniquely different songs.  "We realized we didn't need to force songs, we could let them be what they were," Diaz explains.

Still writing the new, tweaking the old, and pushing forward on this incredible journey, Madi's passion, commitment, and love for her art is obvious to anyone within miles.  Observing our nation is "do-it-yourself," this aggressive musician understands the importance of who you know, who you need to know, and figuring out how to get there. "It's all right there for you," Diaz says, " People just need to have the drive to go and get it."  No regrets reside in this gifted singer/songwriter, who made her peace with youth and is ready for this road. "I think this would be what I was missing if I did anything else," Madi states with absolution.

For the record, the world would be missing out if she did anything else.

For more information on Madi Diaz and to check out her tour line-up, please visit www.madidiaz.com or www.myspace.madidiaz.